Novel 237: Agnes Macdonell, Quaker Cousins (1879)

 

James Jacques Joseph Tissot, The Woman of Fashion

 

Two Quaker orphans are brought to live with their worldly great aunt.


Agnes Macdonell (1840-1925) wrote three novels in the 1870s, of which this is the last.  The title characters’ earnestness grows wearing at times, but their selfish, self-deluded aunt is a lot of fun.

“There is a natural ease about the progress of events which is the result of care and thoughtfulness.  The story is, in fact, in admirable harmony with the refinement and self-restraint shown in the characters.” Athenaeum, March 22, 1879

“A book for people who prefer homely scenes described with humour and delicacy.” Academy, April 19, 1879

A (somewhat) contrasting view:

A very readable novel” but “spun out with gratuitous prolixity.” Saturday Review, May 10, 1879

Download this week’s novel:

v.1 https://books.google.com/books?id=FYU-AQAAMAAJ&newbks=1&newbks_redir=0&dq=editions%3AwMa2nv7aBUIC&pg=PP5#v=onepage&q&f=false

v.2 https://books.google.com/books?id=NYU-AQAAMAAJ&newbks=1&newbks_redir=0&dq=editions%3AwMa2nv7aBUIC&pg=PP5#v=onepage&q&f=false

v.3 https://books.google.com/books?id=VIU-AQAAMAAJ&newbks=1&newbks_redir=0&dq=editions%3AwMa2nv7aBUIC&pg=PP7#v=onepage&q&f=false

Novel 227: Lucy B. Walford, Pauline (1877)

 

George Frederick Watts, Eveleen Tennant

 

A virtuous young lady falls in love with a Byronic hero, her brother with their pretty cousin.


Here is another novel by Walford, for whom see Novels 018, 066, 121, and 174.

“The incidents are as interesting as is consistent with probability, and . . . the principal characters behave and talk like ladies and gentleman. . . . Walford has a keen appreciation of the irony of life.” Athenaeum, October 13, 1877.

Walford has a “faculty for observing certain types of society, which to a more careless eye would present no salient points to be seized and tabulated”; she can “take a perfectly commonplace mortal out of a crowd, and so  . . . set him before a reader that the truthfulness of the presentation shall be at once recognised, and the individual become a personal acquaintance.” Academy, November 3, 1877

A contrasting view:

“There is an air about the book, a pretentiousness, an aplomb, which led us to feel that there must, somehow, be something in it. . . .  Unquestionably there is something about it different from other novels; but we are unable to say that this difference is in its favour.  The story never gets hold of us, and the characters come like shadows, and so depart.” Observer, October 14, 1877

Download this week’s novel:

https://archive.org/details/22598996.60953.emory.edu

Novel 224: Jane Ashton, Sophia (1878)

 

Thomas Benjamin Kennington, Lady Reading by A Window

 

An ordinary middle-class girl lives with her neglectful father in a small, gossip-prone city.


About Jane Ashton nothing appears to be known.  This is her only novel.  It is odd in its abrupt ending and its jaded view of human nature, which however it convincingly represents.

“The author has copied nature with fidelity.  Her descriptions are minute and painstaking; and her manner, formed after Jane Austen, is not ill-adapted to convey a clear and distinct impression.” Athenaeum, May 11, 1878

“Sophia is a very brief tale of a very dull life in a small cathedral city.  It . . . merits commendation for the attentive study which the writer has given to certain social types discoverable in most country towns, but so handled in this story that they are persons and not lay figures.  The skill of the work lies in the fact that, although the heroine is . . . thoroughly commonplace . . . yet a certain compassionate interest in her fortunes is aroused . . . by means of . . . uncompromising realism of treatment.” Academy, July 13, 1878

A supplementary remark:

The Athenaeum review continues: “Miss Ashton will never please a large circle of readers if she devotes so much more care to the detection of the weaknesses of characters than to the illustration of their virtues.  It is an unprofitable kind of cynicism which gives us only two endurable characters out of two dozen, and which exhibits those two as impersonations of the commonplace.”

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https://archive.org/details/sophiaanovel00ashtgoog

Novel 223: Mary Elizabeth Braddon, Charlotte’s Inheritance (1868)

 

James Jacques Joseph Tissot, Woman in an Interior

 

The further adventures of an unscrupulous dentist and the heiresses who attract his interest.


Here, as promised, is the sequel to last week’s novel.

Miss Braddon’s enlarged experience as a writer of fiction is very discernible in this volume, which is decidedly one of her best, if not the best, she has given to the public. . . .  Charlotte’s Inheritance is well written, and contains some excellent character-drawing, unspoiled by exaggeration for mere effect.  Even the very repulsive personage, so indispensable to the authoress . . . is not, it is painful to confess, without his probabilities.” Spectator, October 25, 1868

A contrasting view:

It “seems to have been put together for the stage, and with an eye to effects.  It is an extremely disagreeable story, and it has nothing to redeem its coarse reality.” Athenaeum, March 21, 1868

Download this week’s novel:

v.1 https://archive.org/details/charlottesinheri01brad

v.2 https://archive.org/details/charlottesinheri02brad

v.3 https://archive.org/details/charlottesinheri03brad

Novel 219: Edmund Hodgson Yates, Broken to Harness (1864)

 

Charles Burton Barber, An Elegantly Dressed Horsewoman Approaching a Fence, Seen from Behind

 

A fashionable girl marries a journalist; a female horse trainer has love troubles.


Edmund Hodgson Yates (1831-1894) managed to offend seriously both William Makepeace Thackeray and Anthony Trollope in his work as a gossip journalist.  He wrote some nineteen novels, of which this, his first, was perhaps the most popularly successful.  Its most distinctive feature is its representation—sometimes fascinating but sometimes tediously knowing—of contemporary society. 

“We have read it with lively interest, and we lay it aside with an agreeable sense of refreshment.” Athenaeum, November 26, 1864

“We cannot do more than state the almost unexceptionable excellence of all these volumes contain, and add our impression of the value of the many moral lessons the author has conveyed in Broken to Harness.” Manchester Guardian, January 17, 1865

A (slightly) contrasting view:

“A spirited, effective tale of to-day, full of people one understands, who do things they are likely to do . . . with incidents which excite without being improbable”; but while the “subordinate characters” are “alive . . . the higher characters are not.” Spectator, November 26, 1864

Download this week’s novel:

v.1 https://archive.org/details/brokentoharnesss01yate

v.2 https://archive.org/details/brokentoharnesss02yate

v.3 https://archive.org/details/brokentoharnesss03yate

Novel 218: S. Vere, Lady Helena (1877)

 
 

James Jacques Joseph Tissot, The Ball


A millionaire falls in love unwisely.


If anybody knows anything about S. Vere, aside from her (?) authorship of this one short novel, I have been unable to discover it.  In fact, I have found only two reviews, excerpted below.  The novel’s characters are well delineated, even if its plot is clumsily didactic.

“The story is carefully and tastefully written, and the character of the proud, wayward, but noble-hearted Lady Helena is well drawn.” Academy, August 18, 1877

A contrasting view:

"It is not clever, nor original, nor vulgar, nor anything.  It is toneless and colourless.” Athenaeum, July 7, 1877

Download this week’s novel:

https://solo.bodleian.ox.ac.uk/permalink/f/89vilt/oxfaleph013880008