Novel 070: Elizabeth Daniel, Esther Dudley's Wooers (1874)

 
George Bernard O'Neill, The Reproof

George Bernard O'Neill, The Reproof

 

A proud young lady, newly orphaned, goes to live with an elderly cousin in a northern backwater and adapts with difficulty to local society.


Elizabeth Daniel (1823-1878), was the wife of promising Scottish novelist Robert Mackenzie Daniel until, in 1846, he went mad, dying the following year.  Thereafter she wrote some thirty novels of her own; this, appearing late in her career, is a quiet character study.

“Mrs. Mackenzie Daniel has proved in a satisfactory manner that a story may be interesting without being sensational, religious without beind morbid, moral without being dull, a study of character without being a marvel of psychological surgery.  While capable of taking a bright view of individuals, she does not yearn and gush about the divinity of the human race; and in exhibiting the occasional infirmities to which flesh is subject, she does not think it necessary to discover in the mass of mankind the existence of crude lumps of moral nastiness.” Athenaeum, May 2, 1874

“A very readable novel.  The story is  well told; the characters are drawn with considerable cleverness.” London Daily News, May 23, 1874

Download this week’s novel:

v.1 http://access.bl.uk/item/viewer/ark:/81055/vdc_00000004B9B4#?c=0&m=0&s=0&cv=0&xywh=-936%2C-124%2C3300%2C2471

v.2 http://access.bl.uk/item/viewer/ark:/81055/vdc_00000004B9BA#?c=0&m=0&s=0&cv=8&xywh=-89%2C0%2C2661%2C1992

v.3 http://access.bl.uk/item/viewer/ark:/81055/vdc_00000004B9C0#?c=0&m=0&s=0&cv=8&xywh=-115%2C0%2C2644%2C1979

Novel 069: Anne Marsh-Caldwell, Emilia Wyndham (1846)

 
Edmund Blair Leighton, Till Death Do Us Part

Edmund Blair Leighton, Till Death Do Us Part

 

A virtuous young lady, left in poverty, marries a stiff old lawyer.


Anne Marsh-Caldwell (1791-1874) published some 26 works of fiction between 1834 and 1867; her high moral tone exemplifies what most people associate with the word “Victorian.”  Here, however, she successfully portrays complex characters in interestingly difficult situations.

“A masterpiece….a most beautiful tale, with a charming, tender moral…. The characters are real, the incidents unforced, and the whole story a delightful combination of the natural, the passionate, and the wise.” Examiner, April 11, 1846

It “goes far, in our opinion, towards realizing the idea of a perfect novel.  Its conception is new and striking, its characters are strongly marked and consistently sustained, and they are developed in conversation and action rather than in description.  The book is full of amusing pictures of life and manners, while it lays open the deepest feelings of the mind and heart.  The interest never flags, and yet the narrative is always simple, natural, and vraisemblable.Christian Remebrancer, October, 1847

Download this week’s novel:

v.1 https://archive.org/details/emiliawyndham01mars

v.2 https://archive.org/details/emiliawyndham02mars

v.3 https://archive.org/details/emiliawyndham03mars

Novel 068: David Christie Murray, Joseph's Coat (1881)

 
George Paul Chalmers, Old Letters

George Paul Chalmers, Old Letters

 

A young man, heir to a fortune, offends his mother and flees his country with the connivance of his greedy uncle, leaving his secret wife behind.


I return to David Christie Murray (see 009).  This, his second novel, was a great critical and popular success; its villains are particularly enjoyable.

“It is excellent alike as writing and as invention.  The style is one of uncommon vivacity and intelligence....  About his work, too, there is a happy and attractive flavour of novelty.  His characters and incidents are for the most part new and fresh.” Academy, November 5, 1881

“‘Joseph’s Coat’ is one of the best novels we have met with for a long time.  It shows not only a rare power of understanding and drawing character, but the perhaps rarer power of constructing a plot of first-rate interest… The character of young George is...a masterly study.” Athenaeum, November 19, 1881

It provides “a psychological inquiry into the nature of the class variously called knaves, scamps, or scoundrels.  It is a study in the various shades of roguery.  The author...evidently enjoys the work of delineation, of tracing ill-doing to its source, and detecting the scamp while he is still in favour with honest but less discerning people.” Saturday Review, June 10, 1882

Download this week’s novel:

v.1 https://archive.org/details/josephscoat01murr/

v.2 https://archive.org/details/josephscoat02murr/

v.3 https://archive.org/details/josephscoat03murr/

Novel 067: Frances Cashel Hoey, Out of Court (1874)

 
James Jacques Joseph Tissot, Woman in an Interior

James Jacques Joseph Tissot, Woman in an Interior

 

A good man marries unwisely.


Frances Cashel Hoey (née Frances Sarah Johnston) (1830-1908) published some 13 works of fiction between 1868 and 1886 and collaborated with Edmund Yates on several others.  She was a Catholic convert, and one of her purposes here is to condemn divorce; several contemporary reviewers agree that this does not impair the novel’s literary quality.   

“This novel, remarkable in many ways, is especially so for its skilful delineation of character.  All the principal personages and many of the subordinate ones stand out so distinctly before us that we have their images in our minds and are able to picture them to ourselves in the various attitudes they are made to assume, and to understand perfectly the motives which underlie their actions… On the whole we must say of this novel that it is as powerful as it is well written and well imagined.  It is original in its tone and its modes of thought, and to all who can enjoy a good study of human nature, and who love to see follies, weaknesses, and sins unflinchingly exposed and as scornfully denounced, must afford a treat but seldom offered to them in these days of weak, washy novelties and meaningless love stories.” Morning Post, April 16, 1874

“So well kept up is the interest from the first page to the last, that her readers forgive her the three volumes...and the story is not at all too long for its requirements…. The peculiar charm of the book is its liveliness, the go and movement on every page; yet the workmanship is careful and correct all through, and the characters possess a distinct individuality of their own which is seldom met with now-a-days.” Times, August 21, 1874

Download this week’s novel:

v.1 http://access.bl.uk/item/viewer/ark:/81055/vdc_000000042C66#?c=0&m=0&s=0&cv=4&xywh=-181%2C-171%2C2942%2C2173

v.2 http://access.bl.uk/item/viewer/ark:/81055/vdc_000000042C6C#?c=0&m=0&s=0&cv=4&xywh=-110%2C0%2C2668%2C1970

v.3 http://access.bl.uk/item/viewer/ark:/81055/vdc_000000042C78#?c=0&m=0&s=0&cv=4&xywh=-158%2C-176%2C2992%2C2209

Novel 066: Lucy B. Walford, The Baby's Grandmother (1884)

 
Archibald J. Stuart Wortley, Lilian Eldée

Archibald J. Stuart Wortley, Lilian Eldée

 

A well-intentioned middle-aged man, in love with a middle-aged woman, finds himself in a painful moral dilemma.


Here is another excellent novel by the prolific and talented Walford (see Post 18), with an unconventional heroine and several other complex characters.

“The heroine is a charming creation, and as original as she is charming... The characters are drawn with Mrs. Walford’s well-known skill, and there is many a touch in her delineation of the heroine that could only have been given by an accomplished novelist who has...the sympathetic imagination of a true artist.” Athenaeum, August 23, 1884

“There must be something deficient in the mind of any person who does not find it full of humour and vivacity varied by true pathos, and also by distinct traces of tragic power.” Spectator, August 23, 1884

“This is one of the most fresh and delightful stories recently published in English literature.... The book has humor and vivacity, with pathos and enough tragedy to relieve its lighter portions.  The narrative is quiet and not very eventful, but it has the charm of flowing logically out of the clash and collision of character.” Eclectic Magazine, October, 1884

“To buoyant spirits and a fresh imagination the author unites a piquancy of style which is fairly irresistible.  Her characters are life-like yet unhackneyed, she has an artistic grasp of plot, and excels in her conversations, which are thoroughly natural, spontaneous, and flowing.” Dublin Review, April 1885.

Download this week’s novel:

v.1 https://archive.org/details/babysgrandmother01walf

v.2 https://archive.org/details/babysgrandmother02walf

v.3 https://archive.org/details/babysgrandmother03walf

Crossword 065: Trial Runs

 
Herbert Draper, The Lament for Icarus

Herbert Draper, The Lament for Icarus

 

I have crafted this puzzle specifically for those elite solvers who are able to soar above the petty, earthbound considerations of vulgar linguistic usage that limit the intellects of the common herd.  If you belong to this group, I congratulate you, and invite you to congratulate yourself.  For self-congratulation is a primary—in fact, for many, the only—purpose of cultural experience.  Let us wallow in it together.


Download this week’s crossword:

065-Trial-Runs.puz

065-Trial-Runs.pdf


Pointing Hand.png

A puzzle of mine will appear next Tuesday, February 19, in the New York Times. Meanwhile, on the very same day, another puzzle of mine will appear in the various newspapers that run the Universal Crossword .


Novel 065: Charlotte Riddell, Too Much Alone (1860)

 
Sir William Quiller Orchardson, The Chinese Cabinet

Sir William Quiller Orchardson, The Chinese Cabinet

 

An orphaned gentlewoman is married and then neglected by her hard-working chemist husband.


Charlotte Elizabeth Riddell (1832-1906) wrote over fifty works of fiction between 1856 and 1900, often set, like this one, among middle-class denizens of London.

“A well-conceived, well-wrought-out story, which has an air of human truth and reality about it which novels do not often possess.” Athenaeum, March 17, 1860.

“A thoroughly good novel” distinguished by “its downright reality”; practical scientists in charge of factories are brought “living before us, in very flesh and blood, not a blotch or stain overlooked.” Spectator, March 31, 1860

Download this week’s novel:

v.1 http://access.bl.uk/item/viewer/ark:/81055/vdc_000000049DA6#?c=0&m=0&s=0&cv=4&xywh=2%2C374%2C2173%2C1604

v.2 http://access.bl.uk/item/viewer/ark:/81055/vdc_000000049DAC#?c=0&m=0&s=0&cv=4&xywh=-263%2C-171%2C3050%2C2252

v.3 http://access.bl.uk/item/viewer/ark:/81055/vdc_000000049DB2#?c=0&m=0&s=0&cv=4&xywh=-143%2C0%2C2779%2C2051

Novel 064: Anna Harriet Drury, Friends and Fortune (1849)

 
George Frederic Watts, Miss May Prinsep

George Frederic Watts, Miss May Prinsep

 

To test her relatives, an heiress switches identities with her companion.


Anna Harriet Drury (1824-1912) wrote some 16 novels between 1849 and 1891.  This one, despite intermittent downpours of religiosity, provides some excellent social comedy.

“It is at once amusing and instructive, genial and healthful…. Miss Drury’s style is peculiarly correct and elegant.  She writes, indeed, simple, honest, unaffected English, quite refreshing after the artificial semi-barbarous Teutonic gibberish of the day….  Miss Drury...has a natural dramatic faculty—the power of entering into the feelings of others, and speaking in their persons.” English Review, March 1849

“Her perceptions are lively and keen, and her powers of delineating manners and character might well be compared with those of authors ‘of mark and likelihood.’  Her style is racy, animated, and easy, often pointed and epigrammatic…. The story is told in a pleasant and genial spirit; and although pervaded...by an earnest religious tone, it is so far from being bilious or melancholic that many a hearty laugh is to be enjoyed at the strokes of humour scattered through its lively pages.  If Miss Drury is a serious thinker, ... she has also a relish for a joke, and a keen perception of the ludicrous.” Morning Chronicle, April 14, 1849

Download this week’s novel:

https://archive.org/details/friendsandfortu00drurgoog

Crossword 063: Groundhog Wild

 
Atkinson Grimshaw, Tree Shadows on the Park Wall, Roundhay Park, Leeds

Atkinson Grimshaw, Tree Shadows on the Park Wall, Roundhay Park, Leeds

 

Today, in Connecticut, will be held the Westport Library Crossword Tournament— where, frightened of my shadow, I will not appear.  But, through the kind offices of "Bob Kerfuffle" (who also thought up its title) the attached puzzle will appear there, in paper form, and I welcome anyone led here by that means.   I couldn't find any paintings of groundhogs, but I’ve posted a nice one of some shadows.  Imagine yourself as seeing them from a groundhog's point of view.


Download this week’s crossword:

063-Groundhog-Wild.puz

063-Groundhog-Wild.pdf


Pointing Hand in Reverse.png

A puzzle of mine appeared yesterday in The Los Angeles Times (and The Chicago Tribune, The Houston Chronicle, The San Francisco Chronicle, etc.)


Pointing Hand.png


A puzzle of mine will appear next Thursday, February 7, in the Wall Street Journal.


Novel 061: M.E. Braddon, Lost for Love (1874)

 
William Powell Frith - The Artist's Model

William Powell Frith - The Artist's Model

 

A rising doctor, a beautiful heiress, an impulsive young painter, and a poor city girl are entangled by love and betrayal. 


The great M.E. Braddon (see Post 004) was among the most often and unjustly maligned of Victorian novelists.  Contemporary critics never tired of blaming her for Lady Audley’s Secret (1862), as the worst consequence of an unhealthy vogue for “sensation novels.”  And her improbable plots are easy to mock.  At the same time, they are consistently engrossing; while her characters are vivid and often surprisingly complex, her settings evocative, and her style subtle, witty, and exact.

“When our fault-finding is done with we thank Miss Braddon for a treat.  Her novels are always agreeable reading and have as much genuine merit as would set up a dozen of her rivals.  Her descriptions of Voysey Street and other districts are delightful.” Sunday Times, September 27, 1874

“The real secret of her success is that her people are exactly the same kind of commonplace, everyday folk as we are ourselves, and as our friends are.” Observer, September 27, 1874

Download this week’s novel:

v.1 (Tauchnitz ed.) https://archive.org/details/bub_gb_5HAdetMocuQC/page/n5

v.2 (Tauchnitz ed.) https://archive.org/details/bub_gb_lNzrF7wZ5JsC/page/n7