Crossword 036: Resounding Frauds

 
John William Waterhouse, Circe Offering the Cup to Odysseus

John William Waterhouse, Circe Offering the Cup to Odysseus

 

Do you worry that online media are creating illusory bonds and instilling obsessive habits that rob you of your authentic self?  Of course you do!  But not this website: on the contrary, I’m here to put you on your guard.


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Solve this week's crossword online:

036 Resounding Frauds


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A puzzle of mine will appear this Wednesday, August 1, in the Wall Street Journal.


Novel 036: Emily Eden, The Semi-Detached House (1858)

 
James Tissot, Autumn on the Thames

James Tissot, Autumn on the Thames

 

An aristocratic young lady, prevented by her pregnancy from accompanying her diplomat husband overseas, shares a “semi-detached house” with a middle-class family.


Emily Eden (1787-1869), daughter of a baron and sister of an earl, wrote only two novels, of which this quiet, pleasant work of social comedy is the second, though the first to be published.

“A piece of real life, sketched by a spectator full of shrewd sense and a genial spirit of fun.”  Spectator, August 6, 1858

“The purpose of this book, in so far as it has a purpose, is to teach us to take life easily and frankly . . . that we should not be too much pleased at speaking to persons of superior rank, nor too anxious to avoid those who may be below us”; the story is slight, but has “sparkling dialogue . . . good subsidiary characters, and . . . cheerful and habitual good sense.”  Saturday Review, August 27, 1858

“Character painting so entirely unpretending in its manner, and so perfect of its sort, as that which gives to this novel its value as a work of art, is not often to be found.”  Examiner, August 27, 1858

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Novel 035: Mrs. E.J. Burbury, Florence Sackville; or, Self-Dependence

 
Thomas Sully, Fanny Kemble

Thomas Sully, Fanny Kemble

 

Financial vicissitudes drive a virtuous young lady to  support herself and her family by acting in a provincial theater.


Nothing is known of Mrs. E.J. Burbury, author of only this single novel.  She appears to have tried to fit into it every noteworthy experience she ever had, whether working in theater (the miserable conditions of which, especially for women, are vividly portrayed), or driving through Oxford by moonlight.  It makes for fascinating reading, despite some mawkishness.

The author has a “clear appreciation of humour and of pathos—a firm hand in noting down the boundary lines and salient features of character, and a constancy . . . to the . . . purpose of her story.”  Athenaeum, November 11, 1851

"It is refreshing to take up a romance and to find it is not altogether an unmitigated profitless ‘love story’. . . . Mrs. Burbury’s style is vigorous and effective, and the scenes she depicts, the characters she delineates, and the conversations she supposes, bear the stamp of a truthfulness, a penetration, and a depth of feeling, which would do honour to one who had been longer before the public.  That part of the story which relates to the theatrical career Florence is with repugnance compelled to adopt . . . is handled in a fearless and masterly style.”  New Quarterly Review, January, 1852

Download this week’s novel here:

http://solo.bodleian.ox.ac.uk/OXVU1:LSCOP_OX:oxfaleph014284777

Novel 028: Lucas Malet, Colonel Enderby's Wife (1885)

 
Hubert von Herkomer, Clematis

Hubert von Herkomer, Clematis

 

A quiet middle-aged man falls in love with a beautiful but strangely childlike young woman.


Mary St. Leger Harrison (1852-1931) was the daughter of novelist and reformer Charles Kingsley.  Under the pseudonym Lucas Malet, she wrote some 16 novels beginning in 1882; this one, amid more commentary on the human condition than might seem altogether necessary, presents vivid characters in helpless conflict.

“In these days of hurried workmanship it is a welcome contrast to encounter a story which combines imagination, observation and finish in such a high degree.  This is no sketch, but a whole gallery of portraits which have not suffered from the author’s elaborate method, but only gained in lifelikeness”; even if “the author, especially in her moralizing moods, is too uniformly, and perhaps consciously, clever.” Athenaeum, June 6, 1885

The novel’s style has “a quiet self-confidence and reserved power”; the author is “vivid and effective in her descriptions, and telling in her portraitures”; but “there is a morbid strain running through it; one is tempted to ask whether the imagination which conceived and executed this book has not a touch of inflammation.” Literary World, July 11, 1885

“It is poignant, grievously pathetic, a fateful, disheartening book, but it is unquestionably clever. . . . Everything in ‘Colonel Enderby’s Wife’ is clever--the talk, the author’s pessimistic reflections, the arrangement of incident . . . and above all the delineation of character.”  Westminster Review, October, 1885

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http://solo.bodleian.ox.ac.uk/OXVU1:LSCOP_OX:oxfaleph014443744

 

Novel 027: Marian James, A Lord of Creation (1857)

 
William Powell Frith, The Proposal

William Powell Frith, The Proposal

 

A virtuous young lady falls in love with the companion of her childhood, her guardian’s nephew.


Marian James wrote five novels and a few stories between 1854 and 1872; I can discover nothing else about her.  This one-volume novel, with a plot involving inheritance and betrothal, is most notable, as the reviews suggest, for its characters, especially the anti-hero to which the title ironically refers.

“It is a clever, carefully written, though slight story, without much incident,—but that little is delicately and dexterously handled, and the result is an interesting and very readable book.  The interest turns on the delineation of the different characters, especially of . . . the ‘Lord of the Creation,’ who gives the title to the book” Athenaeum, September 26, 1857

The simple plot “gains a pervading charm from excellent treatment.  The story flows on with calm earnest directness, and towards the end becomes riveting in its interest; the language, every where adequate, is nowhere pretentious... Character, however, is the writer’s forte.  Every person . . . is a separate study . . . rendered with that true art which involves not only the knowledge of human nature, but the knowledge of delineating it.”  National Magazine, November, 1857

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http://access.bl.uk/item/viewer/ark:/81055/vdc_0000000452BE#?c=0&m=0&s=0&cv=0&xywh=-719%2C-124%2C2880%2C2475